Silver has been known since prehistoric times, but its widespread use began around the third millennium BC, with early examples of craftsmanship in Mesopotamia and Anatolia. The Egyptians valued it even more highly than gold, using silver objects in royal tombs and temples. The Greeks and Romans expanded its use in jewelry, coinage, and domestic luxury—sumptuous silver banquet sets have been unearthed from Roman villas. In the 19th and early 20th centuries, silver experienced a renewed golden age. During the Victorian era, particularly in England and France, it became a staple for jewelry, dressing-table accessories, boxes, frames, and travel sets. Considered elegant and modern, silver was the perfect choice for an ambitious middle class eager to stand out without paying the high price of gold.
At that time, silver also reigned in the world of artistic jewelry. Since white gold was not introduced until after World War I, silver was the preferred metal for light, intricate settings, pierced and chased by master craftsmen. It was the favorite medium of Art Nouveau artists such as René Lalique and Lucien Gaillard, who used it to create extraordinary works inspired by nature. From that moment on, silver secured a permanent place in jewelry—whether as the foundation for simpler adornments or as a noble material in its own right.